Using footage from Cocteau's Orphée, Mary Helena Clark optically prints an interstitial space where the ghosts of cinema lurk beyond and within the frames.

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A Short History of the Gaze is an experiential essay for Virtual Reality about the relationship between gaze and violence. 　　From the evolution of sight in a pre-cambrian sea creature to the dominance display of a primate, from a landscape of billboards begging for attention to an infinite panopticon, the player traverses and affects the virtual scenes by simply looking (or not looking) at things.

After his father’s demise at the hand of Gaya Hotel Group, Han Yi Soo (Kim Nam Gil) has lived for one thing only: Vengeance. Ready to hatch a plan to bring down his nemesis once and for all, Yi Soo goes to extremes in not only changing his identity, but also his face. But there's a huge obstacle in Yi Soo's way: his inconvenient love for Jo Hae Woo (Son Ye Jin), the heiress to Gaya Hotel Group. Along with being enmeshed within an ill-fated love, Yi Soo's cover gets blown, which has him running for his life like his father once did. You either sink or you swim, but what if the water is full of sharks?

A study of Tennessee Williams's life and work as a whole, ranging from his youth in Mississippi and in St. Louis to success and acclaim, followed by the final difficult years. Includes some of the most celebrated scenes from film adaptations of Williams' work, among them extracts of A Streetcar Named Desire (1951),Cat on a Hot Tin Roof (1958), Night of the Iguana, The (1964), and Suddenly, Last Summer (1993) (TV). Contains footage of Williams being interviewed, including conversations with David Frost, 'Edward R. Murrow (I)', and Melvyn Bragg, as well as reminiscences from people who knew and worked with him, among them Edward Albee, Gore Vidal, and his lifelong friend, Lady Maria St. Just. Features readings from Elia Kazan's Notebook by Kim Hunter.

A long parade of actors and actresses pop up in an unconnected series of skits, vignettes, and sight gags in this comedy anthology by Jean Curtelin. Among the sketches performed is one with Jean Carmet playing a man from the sticks woefully burdened with the challenge of getting through a dog food commercial on less than one tank of intelligible French. Another skit shows a silent duel between an airport custodian and an automatic door, while another with the renowned Michel Galabru sets up a strange teacher-student exchange.

t's Ginger Shapiro's wedding day. It's going to be perfect even though she's eight-months pregnant, been robbed, kidnapped and thinks her fiancé Henry is dead - he's not - and then there's her grandmother's curse! It's a race to the altar in this escalating comedy of errors where Ginger and Henry might just stand a chance of living happily ever after.

Flighty Emily "Jacks" Jackson works for the British edition of Vogue magazine. Rather than pursue a relationship, Jacks regularly hooks up with her devoted ex-boyfriend, James Wildstone, and lives with Peter Simon, a gay screenwriter. When Jacks meets Argentinian photographer's assistant Paolo Sarmiento, she assumes he is gay and tries to bring him and Peter together, unaware that Paolo is straight and in love with her.

Ville, 25, is a downbeat former child star who's successfully avoided his womanizing rock 'n' roll dad for years. Everything changes when his dad moves into his flat and they both fall in love with the same American line-dancing teacher.

Gary Kent was the king of B movies in the Sixties and Seventies, working for indie directors from Richard Rush to Ray Dennis Stickler to Al Adamson, but he's tackled even larger real-life challenges.